Brooklyn’s Geese have built their reputation on restless evolution. Emerging in the early 2020s as one of indie rock’s most precocious acts, the band’s early releases, Projector (2021) and 3D Country (2023), captured a raw, shifting energy that fused post-punk angularity with art-rock ambition. But with Getting Killed, their 2025 release and a rare unanimous perfect NMR 10/10 (if we scored albums), Geese have undergone a monumental transformation. Gone is the wiry chaos of their earlier sound or lighter melodic country approach from their second album; in its place stands a sprawling, emotionally charged opus that feels cinematic and deeply human. It’s the sound of a band transcending their origins, embracing vulnerability, grandeur, and danger in equal measure. Where Projector hinted at potential and 3D Country toyed with reinvention, Getting Killed is the moment Geese fully arrive, fearless, self-assured, and unafraid to burn down their own mythology in pursuit of something truer.